As
Stephanie Beacham glides past the sun loungers on her way to the
restaurant of a hotel in West Hollywood every head turns. It's not
that she's dressed to the nines - she's opted today for simple
white T-shirt and trousers, set off by a flattering straw sunhat -
but, as the song has it, there's something in the way she moves.
Aged
in her mid-fifties, the English actress has been a star on both
sides of the pond for over three decades. And while many
actresses of her generation must now content themselves with
leafing through their scrapbooks, Stephanie remains much in
demand on both stage and screen.
Her
performance in the title role of the play Elizabeth Rex
at the Birmingham Rep last year had the critics dusting off
their superlatives. Now there is talk of bringing it into the
West End.
In
the late spring, by complete contrast, she joins the cast of TV
prison soap Bad Girls. "I was sent some tapes from
the first series," she says, her well-modulated vowel
sounds quite unchanged after all the years spent in California.
"I watched them and then asked for more, not because I was
unsure about whether or not to accept the part being offered,
but because I was addicted!"
The
restaurant the actress has suggested we meet at today is not too
far from her LA apartment. She bought the home 15 years ago when
she was starring in Dynasty and at that time also owned
a magnificent house overlooking one of Malibu's ravishing bays.
But, as her journey from Malibu to the TV set could take at
least an hour and a half, she wanted somewhere in the centre of
town. Her solution was a sunny apartment a mere five minutes'
walk down the road from Sunset Strip.
Waiting
for her back home after lunch are both her daughters- Phoebe,
28, and Chloe, 26 - and what Stephanie describes as the new man
in her life. He is also the reason why, despite her recent
success in Britain, she is keen to return to LA whenever she
can. He's blond, he's beautiful and he's a little thug, she
says, quite unable to keep the silly smile off her face.
His
name is Jude and he's her first grandchild, the two-year-old son
of Phoebe, who lives in the same apartment block as her mother
and who works for Chanel in Beverly Hills. Sadly, Phoebe and her
English husband have now separated, but nothing can disguise his
grandmother's rapture over Jude. "He's the son I never had,"
she says.
Following
in her mother's footsteps, Phoebe trained at the Bristol Old Vic
and had her sights set on becoming an actress. "When I
moved to California in 1985," says Stephanie, "the
girls were only ten and eight so, apart from their schooling,
they grew up here. Phoebe says she may return to England when
Jude is ready for regular school, but I have my doubts. If you
want to pursue acting, this is the place to be."
"When
I'm here, I'm Jude's nanny. I'll collect him from school and
it's either straight into the swimming pool - I'm lucky in that
there's a choice of two as part of my apartment block complex -
or up into the canyon for a walk with the dogs and then back for
tea. He calls me 'Glamma', a name I love, of course, and one the
irony of which he's much too young to understand."
Clearly,
Jude can do no wrong. "Not quite true," says his
doting grandmother. "He's not yet civilised. I've never
tipped so heavily as I do if I take that young man into a
restaurant. It's my way of saying sorry for whatever he's done."
She
checks herself. "Just listen to me! I'm entirely boring, up
to my elbows in the blond thug." And evidently loving it.
Stephanie's
younger daughter, Chloe, is over on a visit from London where
she works as a marketing and PR consultant for the Matchbox
Group, owners of a string of clubs. "We always had Chloe
marked down as the academic," says her mother, "but
she's increasingly showing her creative side. For instance,
she's absolutely brilliant at creating handbags out of old
jumpers and scraps of material she finds in various shops."
And
with that, Stephanie hauls aloft a soft, shapeless bag from
beside her feet on the floor. "Chloe is a very sorted young
woman who takes no nonsense from me and is clearly someone who's
having good fun. I'm a fan of good fun."
It's
all a far cry from the years of raising her own children.
Married to fellow Royal Shakespeare Company actor John McEnery
in 1973, the couple parted and later divorced after five years.
Chloe was little more than a babe in arms. Stephanie was
shattered by the failure of her marriage but she refused to go
under.
"As
it happens, I took to motherhood from the word go," she
says. "This rather sexy butterfly suddenly transformed
herself into a single-minded mother."
But
not, it seems, at the cost of her career. She was a key member
of the cast of the popular TV series Tenko and also
played the eponymous Connie, a go-getting businesswoman building
up a fashion empire.
But
it wasn't until the mid-1980s that Stephanie's life changed
irrevocably. Summoned to LA by powerful producer Aaron Spelling,
she was cast as Sable Colby, first in Dynasty and then
in The Colbys. "I chased the dollar," she
says, without apology. "I had the sort of ambition you now
see in Catherine Zeta Jones. I had the life force."
She
also had a bank balance to water the eyes. "Yes, Aaron made
me a millionairess. But then, I've never thought it more saintly
to scrub floors, as it were, or be tired all the time. Being a
single parent with diamonds struck me as a much cleverer move."
She
won't easily forget the moment she was whisked by limousine back
to her swanky hotel after that first meeting with Spelling. "I
danced around my room in my underwear. This was Hollywood! I had
a script with 'Paramount Studios' on its front page. I was Judy
Garland! Oh it doesn't get much better than that!"
From
the very start of her career, when she appeared on the stage in
the UK, Stephanie's CV has been very impressive. "Well it
is," she says, "if you weed out the films in which I
battled against man-eating insecticides, and a TV serial I made
called seaQuest in which I spent an inordinate amount of
time in a submarine."
Now,
Stephanie is set to return to our TV screens in Bad Girls,
which is currently due back on the air on ITV1 in May. She makes
her appearance with ex-Coronation Street star Amanda
Barrie and together the actresses play Costa Brava conwomen Phyl
and Bev, who have been rumbled selling shares in golf courses
that never existed.
"I'm
the brains and Bev's the one who puts the scams into practice.
Nor does being in prison stop us getting up to all sorts of
tricks," Stephanie laughs. "It's very silly and great
fun, although I don't mind admitting that I began to feel a bit
claustrophobic when I first started filming last year as the
sets were so solid and convincing."
She's
currently completing work on the second half of the 16-week run.
The three-month break in between filming was to allow Amanda
Barrie to appear in pantomime and it could not have been more
welcome, says Stephanie. "People ask how I divide my time
and the answer is simple. I'm in Britain when I work and here in
California when I can be."
Can
she ever imagine retiring? "Not necessarily," she
says. "But if it ain't joyful, I ain't doing it. I want my
heart to pound; otherwise why bother? I would like to do one
more US TV series. I've always had a secret hankering to be the
troublesome neighbour in a sitcom."
She's
certainly not in it for the money, she says. "I don't need
to be enormously rich any more because my life is so rich as it
is. Anyway, been there, done that. It was fine, although I have
to say that it's never the way it looks from the outside. I
distinctly remember worrying that the pH balance in the pool in
my house at Malibu wasn't quite right and that the sprinkler
system beneath the trees I'd had planted was faulty, and so on.
I don't want to sound ungrateful. But having lived that sort of
life, my conclusion is that yachts are for other people. I'm
quite content to hop aboard for a ride every so often."
Her
life may be rich, but can she ever contemplate sharing it with
someone else? There have been boyfriends down the years but
she's never remarried. "My two best male friends are a gay
couple," she says, "although I'm also very close to my
best friend at the beach, Colin. He looks after the dogs, Bruno
and Kelsey. My horse, Blue Star, also lives on his ranch at
Malibu."
"People
often ask why Colin and I aren't together and I always say that
we are, for life. It's just that we're not partners. We couldn't
be. We're both control freaks. We couldn't withstand the power
struggle that comes with being lovers, too. Sex always
complicates things. But, as friends, we're fine."
Stephanie
is not complaining. "I feel completely blessed by the
fullness of everything. I have so much love in my life - from my
girls, of whom I am extraordinarily proud, from my friends and
from that blond thug."
Which
is why, last year, Stephanie took an important decision to give
something back to society. The charity she has chosen to donate
her time to is one which is close to her heart. In the last days
of her pregnancy, Stephanie's mother was struck down with
chicken pox, which can cause problems to an unborn child. The
result was that Stephanie was born with no nerve endings - and
therefore no hearing - in her right ear. Her left ear was less
badly affected, although it has only 70 percent of its full
capacity.
"The
children at school could be cruel," she says. "They'd
chant 'Steph's deaf!', over and over. And it was certainly a
strain being in class because I had to concentrate so hard on
listening to what was being said and lip-reading, too. But at
home my condition was, in the best sense, entirely ignored. When
Mummy realised that nothing could be done about it, she washed
her hands of the entire business. The result was that I never
became a victim. I could achieve whatever goals I'd set myself.
My dreams were left intact."
It
was last November, when she was over in the UK filming the first
batch of Bad Girls, that Stephanie made a visit to the
charity Hearing Dogs for Deaf People in Oxfordshire and was
highly impressed with the invaluable work the organisation does.
"They
train animals to recognise the phone ringing, or an alarm clock
going off, or a washing machine coming to the end of its cycle,
and then they alert their owner. It's quite remarkable. Those
dogs also provide uncomplicated companionship to someone
isolated by their condition from the rest of the world."
Now,
Stephanie's mind is made up. "It's my intention to do as
much for this charity as I can in terms of speaking up for them
and publicising their work. In no way have I been inhibited by
my deafness. I've had an extraordinary career, a wonderful life.
"Now,"
says Stephanie Beacham, "it's time to put something back."