It's
curious how certain decisions we make affect the rest of our
lives. Selling my house and putting the girls in a new school was
one of those decisions that would affect my future.
If
The Colbys
offer had come up at any other time, I would have had to say no,
because with the girls being school age and living with me, it
would have been a problem taking them off to live in California.
My house was another problem. It was so big and so special, it
would have been impossible to rent it out.
The Colbys
offer came at just the right moment. I, however, was not
interested. It happened like this.
My agent in
England, Maureen Vincent, decided to make a reciprocal
arrangement with another agent in Los Angeles, and she chose
Marian Rosenberg. Maureen then went to visit her in California.
Well, Marian had
worked as an executive producer on The Nightcomers, and
she had also worked on Tam Lin. In a conversation with
Esther Shapiro, executive producer for Dynasty, about
the new series The Colbys, Marian said: "I haven't
seen this woman for years. But if this English actress,
Stephanie Beacham, has grown up like I think she ought to have
grown up, she would be perfect for the part of Sable."
I have no idea
how Marian suddenly remembered me after all those years. Anyway,
Maureen and Marian finally met at Marian's office.
Maureen opened
her briefcase and started to talk about all the actors and
actresses she represented. The first photograph she laid out on
the table was mine. Marian asked, "Who is that?"
Maureen told her and Marian said, "Will you excuse me for a
minute?" She immediately picked up the telephone and rang
Esther, and in an excited voice said, "We've found her!"
This was all
happening in California while I was wrapped up in the final
stages of Connie. The Connie series was very
successful and I had no way of suspecting what was going on so
many miles across the ocean.
As soon as she
got back to London, Maureen called me up with the good news. She
also said: "A shooting crew will be in London in a few days
to do some tests. They're very interested in you and definitely
want you to go to the audition."
I thought, 'Oh,
for heaven's sake! The only reason Americans are looking for an
actress in England is to get her cheaper...'
But Maureen was
not daunted. "I'll send you down the script anyway,"
she said. Which she did.
I was not at all
convinced. I thought, 'I will not go down to London and waste my
time. I promised I'd spend the summer with the girls and I'm
going to do just that.'
The script
arrived. I went to the beach. I was walking on the beach reading
the script, it was a windy day, and a sudden gust of wind came
up and blew the script away. I thought, 'Well, there you go,
tough.' And that's exactly what I thought about the series at
that time.
However...
destiny had something else in mind.
A few hours
later, my neighbour, who was watching my house in London for me,
rang me up to say, "I'm sorry, Stephanie, but I went over
to feed the fish, and I locked the keys to your house inside."
She was planning
to force the lock, but it was a very expensive lock I'd just had
put in and I decided it wasn't worth it. So, I said, "Don't
worry. I'll come down to London with my keys." I couldn't
let my poor fish die of starvation...
And since I had
to go to London anyway, I decided I could pay a little visit to
the set where the Americans were doing the tests. I rang up
Maureen and informed her. "Okay, I'll do the test because I
have to come to London to feed my fish..."
I walked into the
audition. There was a whole group of fairly well-known British
actresses there in evening dress. I suddenly felt something.
'What's this?' I asked myself. 'It smells like blood here... No,
just a minute, it smells of fear in this room.' I then realised
that these actresses were very scared! 'This is heavy duty,' I
thought, 'people are really taking this seriously.' Someone
handed me a script, since mine was lost somewhere on that rocky
beach. Well, I calmly said, 'Okay, kid, do it. Just go for
it...' And I read my part.
I was very calm.
I was planning to spend the summer with my daughters and I had
no intention of going off to work in America. So I was taking
the whole thing very lightly. Actually, I was really having
quite a good time.
And that was it.
A week later, I was in Los Angeles!
The only
condition that Aaron Spelling put on my contract was that he had
to see me before we started to work seriously on the series. I
was convinced this was going to be one of those pop-over trips.
I told the girls:
"I'm sure this is just for four days. No matter what
happens, we'll go on vacation together." Well, they did
have a vacation because they came to California. But I was hard
at work on The Colbys by then.
I went to
California with just a couple of things thrown in my suitcase
and a couple of nickels. I was absolutely convinced they weren't
going to choose me.
I met Aaron in
the morning. They sent me to the wardrobe department in the
afternoon, and two days later I was working in Dynasty.
Actually, I was
hired to work on The Colbys, but to introduce my
character to the audience they had me do two episodes on Dynasty
before starting the other series.
The first scene I
had to do was a party. We were supposed to be having a family
meeting of sorts. They handed me a glass of champagne and sat me
down next to Linda Evans.
My glass was
shaking like a leaf in my hand. I asked the director if I could
put the glass down. "Why?" he asked, puzzled. I
blurted out, "Because I'm so nervous that people are going
to think I'm drunk."
I'd suddenly
realised what I was doing, filming a TV series in Hollywood! And
I was so incredibly nervous I was shaking. My first scene was
with Linda , and she was as sweet as could be.
When I got back
to the hotel it suddenly became very clear to me that I was
going to be in Los Angeles for a lot longer than four days. I
rang up my sister Di-Di, who happened to be back in England at
the time. I said, "Di-Di, pretend I'm dead." "What
do you mean?" she asked. Then I explained: "I'm going
to have to be here for at least a year and I need all my things.
So just say that I've died. Go to my house, throw out all the
junk and stick what's good in suitcases. And... sorry, but
you'll have to make a little visit and bring it all to
Hollywood."
She did it and on
her way back home to Connecticut, she stopped off in Los Angeles
and brought me my possessions. My dresses, my souvenirs, and my
favourite tea-pot. I'm not quite sure how she did it, but for a
while afterwards my nieces kept asking if it was true that Aunt
Stephanie had died...